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The Prison Camp

Yendor sat underneath the old ocherfruit tree. It was early spring, and the branches were budding with their flowers. the tiny blossoms looked like a million candle flames alight on the tree, with bright red at the base the petals and a translucent yellow that was much more brilliant than the dusky fruit that would come later, topping each petal. The scent they gave off was like honey mixed with berries and new grass; a sweet earthy scent that called to the hummingbirds who all said, “mmmmmm” approvingly. The gnarled bark was a deep, rich brown that seemed burned in the crevices but burnished on its high spots. The bark seemed to weave in and out of itself like a crazed basket that decided to become a tree and took root in the new yellow green grass and sprung out, reaching for the heavens all the while being shaped by the wind. The branches arched out in every direction as if it were caught stretching and yawning one morning and just continued to grow into that pose.

The air was cool that morning caressing the young leaves of grass and whispering in Yendor’s ear. “Shhhhhhh….”

He could hear the guards coming before he could see them. They hadn’t heard the morning breeze’s whisper. He had scouted the camp in the night and he knew this area would be patroled. It was the farthest point from the camp that the patrol covered. The guards came out of the grove, their deep red uniforms seeming to emerge from the shadows ahead of them. Yendor sat still. The sun was behind him, and he was dressed in his black leathers. even with his golden hair curling around him, they didn’t see him. “Hello, boys.” he said. He was still working on a “calling card” greeting.

The guards stopped and stared at him, frowning at this unexpected encounter. Yendor stood in a smooth fluid motion, using only his legs, which had the effect of appearing to have levitated up out of the ground. He smiled, bowed his head slightly in greeting, pulled out his sword and killed them both before they could respond. He had stabbed them each in the abdomen and curved his thrust in and up under the ribs, and rupturing the heart, so quickly that the second man was dead before the first man’s heart had stopped. First the man on his left, then the one on his right; one, two, done. No magick, just concentration, and execution, so to speak.

Now he had about ten minutes before they were due to report after completing their rounds. This would be the only break he got, he knew. He approached the fence near the rear of the camp, away from the gate. It wasn’t a blind spot but it was as close to it as he was going to get. The prisoners filled the yard. They were over capacity by quite a margin. Clearly the prisoners had to sleep out in whatever weather there was. They were a gray, ragged mass of a mess. Danse was in there somewhere, just another outlaw, waiting for sale. They sold the young and able into slavery, the others they put to work there in the camps. Everyone worked until they dropped. They were underfed, sick and exhausted. There was a twenty foot clearing around the camp and Yendor burst out of the trees at a sprint and headed straight for the fence. It was made of thick wire which criss crossed in four inch squares. Yendor cut through the wire with a downward swoop and instead of beckoning out the prisoners, he entered the prison camp. A few prisoners close by just stared at him. He motioned his head toward the opening but that was it. They would figure it out.

There was relative quiet; the prisoners milling about, the guards mostly gossiping with each other, only taking note of the prisoners to inflict some petty cruelty upon them. He tried to intuitively divine where Danse was. It was almost not magick. Just follow your gut, your nose, only slightly more accurate. So far, he was undetected. Mostly hidden by the mass of prisoners and walking with a sense of belonging. That might have been the first trick he had ever learned. If you’re sneaking around, you look suspicious, but if you walk around like you belong there, no one pays you any mind. That trick had gotten him many a midnight snack from strange kitchens growing up touring the faires. Yendor walked with such purpose that some guards saw him and nodded to him in deference. Perhaps they were used to visitors here. Apparently of high rank. Probably came to buy slaves. High ranking officials would probably get special treatment and be able to visit the camps rather than wait for market days like everyone else.

The prisoners were the poorest of the poor. To the sorcorers the people of the world were there for the taking. They were like animals to be used or eradicated as vermin. Anyone who wasn’t fair, from the northern isles, women, pagans, heathens, anyone who didn’t worship Incarnate as a god. The Sorceral, they called the church. People could be outlawed for nearly any excuse. Not able to pay taxes was the main reason, but fines for any infraction, often made up. was another. The sorcerers saw the world as overpopulated and poor, brown people were more valuable as slaves than free. Waters had been given his freedom long before Yendor had met him. He carried a medalian around his neck that bore the symbol of his former master to prove he was a free man. Even so, any one of rank could simply take that medalian from him and put him right back into slavery, either as his own or for sale. It was only that Waters surrounded himself with people and carried himself with a special dignity that kept him free. Even so, he had to be careful. There had been some run ins Yendor remembered from his childhood, that he hadn’t understood at the time. In fact it wasn’t until right now, in this camp, that Yendor began to fully understand the severity of the situation Waters had faced. Indeed, nearly anyone could be put into a camp. Even a noble, if he crossed a sorcerer. Or even a sorcerer if a higher ranking sorcerer so decided. Only Incarnate himself was safe from such a fate.

Such camps were everywhere. Yendor had passed by countless ones, but never been inside one. Always one believed that it couldn’t happen to them, and that those it did happen to somehow deserved it. It was the only way to go on with life. Yendor had been in the resistance. Those armies were always crushed, utterly, but always they sprung up again as common as these prison camps and now Yendor could see why. Even with the hopelessness of the cause, there was a certain appeal to fighting against this way of life. Perhaps there was a way to unite each of the little armies into a single army. If they struck at the same time from their various places across the world, even the sorcerers could not defend such an attack.

“You, boy!” Yendor was pulled back into the present when he realized he was being addressed by a guard. He turned with a bit of a pout on his face, and looked down his nose at the guard. “What’s your business here?” At least the guard didn’t mistake him for a prisoner, yet.

Yendor affected a high brow accent, “Shopping.” he sneered. and approached the guard. “Maybe I’ll take you.”

“Oy! I’m not for sale!” said the guard defensively.

“Pity.” said Yendor, pulling his sword, which had been sheathed behind his cloak, and dispatched the guard in the same manner as he had his compatriots outside the camp. These people imprisoned Danse, and he had no compunction that he would have to eliminate as many as possible to get out alive.

At that moment a horn sounded from where he had entered the camp. So they had found the breech. His masquerade as a noble would be useless from here on out. “Breech in the perimiter!” he shouted, mimicking the voice of the guard he had just killed. If the prisoners rushed the fence, and the guards focused their attention on that it would give him some cover. Shouts of “Freedom” began to go up throughout the camp, and Yendor wished he had made more of this earlier, but had reasoned if the guards weren’t alerted to the breech, more people would be able to escape. Now he had to find Danse and get out of there.

“Danse!” he called, but a cacophony had arrisen from the chance of escape and he couldn’t even hear himself. He cursed himself for not having more of a plan. for not having become more of a wizard before making this attempt. He had allowed his fear to cause him to act recklessly and now he might not find her. In fact, he had put her and everyone here in danger, and he only now saw that. He had been willing to sacrifice as many of these prisoners as needed to find Danse, as if they were pawns in his plan. He was no better than the sorcerers.

He lifted his sword to the sky, “DANSE!” He shouted, as lightning came down and struck his sword and lit up his nervous system like a ghost. Where a moment before he had been lost in the chaos, now a wide circle opened up around him. Most of the guards were human. The Officers had sorcerers in their ranks no doubt, but ones whose power was limited and so pursued a career in the prisons where they could rise farther than if they had to compete with more talented magicians. Still, these officers wore the red insignia of sorcerer over their uniforms, and considered themselves powerful among the powerless.

These officers made their way to the circle and appeared simultaneously surrounding Yendor. He released the lightning he had absorbed and it coursed out of him through his arms, but also out from his heart, striking the sorcerers all at once, eliminating that threat. Now the chaos really set in as the prisoners tried to escape the magic. Most people had only ever experienced magic from sorcerers and didn’t even contemplate the idea that it could come from someone else. The prisoners overwhelmed the guards, outnumbering them by the hundreds, and in their panic, made good their escape. The shrieks and savagery escalated still further. And there was no sign of Danse. She had not understood the bolt. Perhaps she wasn’t even here after all.

In the end, there were the bodies of the fallen, both outlaw and guards. Yendor stood awhile longer at the center of the circle of sorcerers laid out before him in each direction.

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At the Library

Yendor was not sure what he was looking for. He had come to the city, decaying, decrepit, ancient, crowded and yet thriving, looking for some scrap that had been missed over time by the sorcerers. There was a history that was forbidden, but it hadn’t always been so. Before Incarnate there were archives and records and deeds and an insurmountable amount of information that had to give some clue about what it was like before. When there were wizards, when there was more to magic than sorcery.

The library had seemed the obvious place to start. Of course that would be where the purge had started. Surely anything revealing what wizards were, where they lived, what they believed had been eliminated from such a public and obvious source. But Yendor had to start somewhere.

As a musician, he knew about subversive lyrics. Code words to fool those who didn’t know how to listen. Often they were so ubiquitous that you never noticed them. they hid in plain sight. Why did the children’s song start out about flowers and end up talking about ashes and falling down? Because that children’s rhyme was about the plague, that’s why. That was really more of a forgotten knowledge than a forbidden one, but the idea was the same. Learn to look at things from a fresh viewpoint. Nobody knew it was about the plague because everyone grew up singing it. Children’s stories were full of incongruous, frightening scenes; were they all allusions to hidden meanings or was there something in the way storytellers crafted children’s stories that made them put in these dark passages? Did children need them to develop their minds? Musicians were storytellers but Yendor had never heard a solid answer to the question which hardly ever came up.

Deep in one of the basements, on his third day, lit by an odd Smelling candle, in a nook in a room long forgotten, he found an ancient poem about the winter solstice. The poem caught his eye, because the solstice was approaching, and it would be his first away from friends and family. The hand that had scribed the poem was lyrical, but the letters were an ancient form that seemed stilted to Yendor. It was an odd combination that distracted him so he had to read the first stanza several times before he could make sense of it:

“Wrapped in an azure raiment, She whirled, colourring every cheak. Warming each heartt with Her Light, singing to all individually. Mary, she is.”

The archaic spelling aside, the story was well known, but the poem was not. It told of Winter herself, merry in her blue sky, her cold wind howling in everyone’s ears, making their cheeks rosy with cold swirling wind. But this poem described Winter personified, which was not unusual, but the idea of being warmed by her was different. Nowadays it was the celebration of her that warmed people’s hearts. She brought cold, but also the promise of light to come; as the longest night of the year, the worst was over, the next night would be shorter; the coming days longer, ostensibly warmer. This poem said she was the light, and the howling wind was singing… It was odd enough for Yendor to copy down.

As he dug deeper, he found another poem in that same unique hand. This time it was signed “Sumessence.”

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Yendor the Wizard

I’ve been working on this story since I was fifteen. Recently, I’ve taken it up again in earnest. I have some new ideas and I just have to make time for it. This character’s name is Yendor. I don’t want to give too much away but the story is called “The Song of Yendor,” so he may have a prominent role. You can read some of the story here

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Lausaw The Sorcorer

Danse and Yendor walked through the woods, headed east with the stream, which would lead to the next town. Yendor had been a traveling musician all his life and he knew how to find civilization and how to avoid it. There was a road they could have taken, but Danse was sure there would be soldiers patrolling them, alerted to the forbidden magic that had happened at the harbor. Yendor wanted to head into the hills, just he and her an begin training. She insisted there were some preparations they had to make. They had both just abandoned their lives for each other without really thinking about the consequences. Yendor’s training as a musician was more or less complete and probably wouldn’t be utilized much now anyway, except perhaps as a cover or to earn a roof over their head. musicians in a troop scheduled performances at fairs and worked out accommodations, provisions and logistics ahead of time. Usually some kind of payment could be secured over and above what the crowd decided to spend its pennies on. Whether it was a charge to attend the performance or passing a hat, a troop was too big to sustain itself on the fickle whims of a crowds passing fancy. The base payment was usually only enough to sustain the troops tour from fair to fair, and the crowds pennies helped to make life a little more livable. Like most people, musicians eked out a living that kept them from starving and not much else.

Lone musicians could not count on anything but the hat. And they were vulnerable to robbers both high and low, whether the sheriff made up a fine for a permit that he invented on the spot (fines are always more than fees, usually a person had to pay both, so it is in the sheriff’s interest not to bring it up until the violation has occurred), or a sorcerer charging for a blessing that wasn’t sought, or a real thief, who at least isn’t pretending to be something else.

They had precious little money between them, and Danse wanted to outfit them with weapons, provisions and necessities like a tent, cooking ware and other things of weight that Yendor knew he would end up carrying.

When they got to town, they found the marketplace and got themselves a meat pie to split, realizing they would soon either be living off the land, or Yendor would be spending as much time supporting them as a musician as he did training to save the world. Maybe more. Watters had always said that the bulk of life is spent doing the work needed to live it. Until now, that had meant chores like doing dishes, rolling billets, printing flyers, cleaning up camp, or mending tents, clothes, costumes, instruments. People thought being a musician was playing music all day. This just isn’t the case. Musicians lives, artists lives, everyone’s life was spent doing chores. Even clergy like the sorcerers had to fill out reports, keep endless records, gather tithes, and darn their socks, while shoring up for winter, which was coming by the way.

Townsfolk had homes that kept out the weather, but travelers lived in tents. Watters would say winter just means moving the fire inside. Many travelers carried their winter things all year round. Some had winter homes, that they stayed in. some stored their winter things in halls rented for such purposes. Some sold their furs in the spring and bought new ones in the fall. Watters had liked to carry things in a spare cart that invariably got damaged, stolen or worn out, so that there was always the expense of new things and the burden of carrying things all year. There were less fairs in the winter, but people still wanted to hear music. This was actually the best time for a lone musician and the troop would often split up for the winter. Watters kept a stash of money hidden from robbers like most travelers. Sometimes the robbers found it, sometimes not. Usually thieves only wanted money because they too were travelers. “Thieves couldn’t make a living staying in one place, not unless they went into government,” Watters would say.

They got most everything they needed. She had a long stiletto dagger that had been in her family. He got an old sword, double edged, short handle, small guard, nothing fancy. She could tell it was well made. The one he wanted she said would break in its first fight. “Showman.” she said, shaking her head as if he’d picked out a prop that would glitter for the audience. She wasn’t wrong, he guessed. The tent he picked out. It was his turn to know what was needed. Treated canvas that had been given a layer of lacquer to keep out the weather; He would find the right trees, and boil some sap for another layer. the poles were Ashwood, heavy but solid. He and Watters had used tent poles to fight off bandits on more than one occasion. People often went for lighter wood that was easier to carry, but Yendor trusted the hard wood. They got a few pots that could double for roasting, stewing, frying or what was called for. They got forks that Yendor thought could be used to pitch hay, and hunting knives for table knives. Everything had two uses and everything was second-hand. That’s how it goes, playing in a band, thought Yendor.

They kept going East, heading for the Wyvern Hills, and pitched the tent early so Danse could snare something for dinner, and Yendor could make the lacquer for the tent. They found a clearing in the lee of a hill, a little plateau that gave them a view of oncommers but shielded them from the wind at the same time. They had just finished the rabbit stew when they heard horses. The soldiers crested the hill and left room for the sorcerer bringing up the rear.

“Well, well, what have we here?” the sorcerer, dressed all in black, was reed thin but had a resonate voice in spite of that. “Outlaws I’ll wager. They had to have circumvented the road and gone quite a bit out of their way to sneak up the hill like that. They hadn’t just happened along.

“We’re travelers. Musicians. Not outlaws.” said Yendor.

“I know who you are.” said the sorcerer as the soldiers drew their swords simultaneously. “I am a sorcerer of the order of the mace, on the business of Incarnate.” Sorcerers loved to recite their credentials. Yendor wasn’t familiar with the order of the Mace, but it didn’t sound good. They were never “Order of the pansies that grow in the Spring by the roadside in the field.” It was always “Order of the plague,” or some nightmarish name meant to drive fear into the hearts of ordinary people.

“We have been sent to find you. Did you think your …performance… would go unnoticed?” They were still on their horses. The firelight demonized their faces as the sky glowered in the twilight. “I know not what evil magic you follow, but only the Sorcery is lawful. Any use of magic, or even the ability to use magic other than by a sorcerer is heresy. You corrupt the souls of all who fall in your shadow.” Now he stood in the stirrups and dismounted. “I am Lausaw, come to remove your scourge!” He pulled a glowing orb of slick protoplasm from the air about him, dripping its green, electric slime, and aimed to throw it at Yendor. Danse moved faster than a deer and was between them, her dagger slicing at the pulsing fireball. He had already committed to throwing it and it was cleaved by the dagger. Lausaw grabbed her by the wrist, trying to wrench the knife from her hand, as she kicked him in the back of the knee. Yendor was up and had his knife, but his sword was in the tent. The soldiers were down from their mounts and came at him simultaneously. Yendor had thought to stab the sorcerer as he fell but had to change course. He turned to put space between the soldiers and himself, but that was a mistake. Thinking he was fleeing, they thought he was a coward and charged harder.

Now heat came from Lausaw’s hand, burning Danse’s wrist. She fell to her knees screaming and dropped her dagger. Lausaw curled her arm behind her back and they both got to their feet. He got his other arm around her throat. “Heretic!” he shouted. “I have your woman!” Yendor turned and the soldiers flanked him. “Surrender!” Lausaw called. “or I’ll kill her right here.”

Yendor had only been a wizard for a day. He didn’t know anything. For a fleeting moment he was beaten. There was no way out of this. But then a fury rose up in him unbidden. Perhaps this fury has arisen in everyone in such times; the inability to accept the situation. Usually followed again by resignation at the futility of it. But this time, Yendor’s fury escaped captivity. He shouted and a curling, freezing whirlwind formed on either side of him and he released them to devour the soldiers. Each a mirror of the other, the winds turning one clockwise the other counterclockwise. The soldiers swords were ripped from their hands, their limbs thrown and twisted like ragdolls, they were sucked high up into the air and thrown into the darkening night.

Lausaw redoubled his grip on Danse, using her as a shield. He had no idea what Yendor could do. He wasn’t doing anything that Lausaw recognized. Yendor wasn’t following any teaching Lausaw knew of. Lausaw didn’t know it, but Yendor wasn’t following any teaching at all. The sorcerer held Danse but he too was held. He could do nothing while he had her. She struggled, writhing like a viper. Yendor Picked up one of the swords dropped by the soldier. better than his in every respect; lighter, sharper, longer, better made, plainly. Out of the dark, lightning came down and struck it, filling it with power and wrath.

“Stay back!” screamed Lausaw. Then, eerily, the sorcerer’s horse came to him and knelt. Lausaw crabstepped back to it, pulling Danse with him. He struggled into the saddle, and the horse got up. Yendor sprung toward them, but without removing his grip on the girl to take up the reins, the sorcerer turned the horse and trotted into the night. Full dark had descended and Yendor had no idea which way they had gone. He went to the campsite, stirred up the fire and pulled out a brand. He could find no tracks. “I hate magic!” he said.

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Secret Jumblies project

Since it’s national poetry month, I thought I would share my secret project with you. I’m working on illustrations for my favorite poem; “The Jumblies,” by Edward Lear.  My 1st sketch shows the seive with the pea green veil. In this sketch, we have a frog and a hedgehog in the seive. My confusion is, are the characters in the seive the jumblies? Are they the ones whose heads are green and hands are blue? Or are the ones in the seive traveling to the land of the jumblies whose heads and hands are so colorful? For this sketch, I have decided the latter. In the preponderance of illustrations I’ve seen so far of this poem (that are in color) the characters in the seive have the colorful anatomy. So my illustration is contrary. That seems like reason enough, but my main thinking is those with green heads and blue hands are unusual, and would live in lands that are far and few. I will show you more sketches as they come. It’s a long, detailed poem, full of fanciful imagery, so it should be a lot of fun.

THE JUMBLIES.

I.
THEY went to sea in a Sieve, they did,

In a Sieve they went to sea:

In spite of all their friends could say,

On a winter’s morn, on a stormy day,

In a Sieve they went to sea!

And when the Sieve turned round and round,

And every one cried, “You’ll all be drowned!”

They cried aloud, “Our Sieve ain’t big,

But we don’t care a button, we don’t care a fig!

In a Sieve we’ll go to sea!”

Far and few, far and few,

Are the lands where the Jumblies live;

Their heads are green, and their hands are blue,

And they went to sea in a Sieve.

II.
They sailed away in a Sieve, they did,

In a Sieve they sailed so fast,

With only a beautiful pea-green veil

Tied with a riband, by way of a sail,

To a small tobacco-pipe mast;

And every one said, who saw them go,

“O won’t they be soon upset, you know!

For the sky is dark, and the voyage is long,

And happen what may, it’s extremely wrong

In a Sieve to sail so fast!”

Far and few, far and few,

Are the lands where the Jumblies live;

Their heads are green, and their hands are blue,

And they went to sea in a Sieve.

III.
The water it soon came in, it did,

The water it soon came in;

So to keep them dry, they wrapped their feet

In a pinky paper all folded neat,

And they fastened it down with a pin.

And they passed the night in a crockery-jar,

And each of them said, “How wise we are!

Though the sky be dark, and the voyage be long,

Yet we never can think we were rash or wrong,

While round in our Sieve we spin!”

Far and few, far and few,

Are the lands where the Jumblies live;

Their heads are green, and their hands are blue,

And they went to sea in a Sieve.

IV.
And all night long they sailed away;

And when the sun went down,

They whistled and warbled a moony song

To the echoing sound of a coppery gong,

In the shade of the mountains brown.

“O Timballo! How happy we are,

When we live in a Sieve and a crockery-jar,

And all night long in the moonlight pale,

We sail away with a pea-green sail,

In the shade of the mountains brown!”

Far and few, far and few,

Are the lands where the Jumblies live;

Their heads are green, and their hands are blue,

And they went to sea in a Sieve.
V.
They sailed to the Western sea, they did,

To a land all covered with trees,

And they bought an Owl, and a useful Cart,

And a pound of Rice, and a Cranberry Tart,

And a hive of silvery Bees.

And they bought a Pig, and some green Jack-daws,

And a lovely Monkey with lollipop paws,

And forty bottles of Ring-Bo-Ree,

And no end of Stilton Cheese.

Far and few, far and few,

Are the lands where the Jumblies live;

Their heads are green, and their hands are blue,

And they went to sea in a Sieve.
VI.
And in twenty years they all came back,

In twenty years or more,

And every one said, “How tall they’ve grown!

For they’ve been to the Lakes, and the Torrible Zone,

And the hills of the Chankly Bore;”

And they drank their health, and gave them a feast

Of dumplings made of beautiful yeast;

And every one said, “If we only live,

We too will go to sea in a Sieve—

To the hills of the Chankly Bore!”

Far and few, far and few,

Are the lands where the Jumblies live;

Their heads are green, and their hands are blue,

And they went to sea in a Sieve.

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Requiem The Dragon

How did I end up living in a tent, dressed like some cosplayer from some medieval drama, complete with swords, daggers and cloak? Certainly the gypsy fortune-teller had a lot to do with it, but it started with the cloak. Back when I lived in reality, My wife, my son & I all decided to dress as Jedi for Halloween. Oh, it was my idea. I got some brown wool cloth on clearance at the local fabric store. I was all, “I’m bringing cloaks back!” They’re warm, they look cool, I’ll get my wife to make me one and I’ll wear it all the time!
I never wore that thing after Halloween. Until it came time to leave.
That first night, I knew it would be cold. I couldn’t afford a motel. I took the cloak, but it over my puffy coat, and took the dagger from the cutlery store in case I ran into trouble. That dagger was a show piece. Meant for display. It was a miniature of a two-handed sword. I was going to display it but it never got put up. The sheath was made of wood. Not very practicle. I feared if it came down to it, the blade would probably break.
I was wrong. That thing is still one of my deadliest weapons. Sharp, long and as strong as any blade twice it’s size.
Anyway, of course it snowed that first night. My wool cloak really came in handy. I lived in Oregon so there are woods everywhere. I just found a wooded area and crept into the lee of a bush, wishing I wasn’t sober. Morning found me back in town at Starbucks, wondering what I was going to do with my life. I felt no motivation for anything. I had spent my life to that point working one low paying job after the next, trying to get work that my art degree had prepared me for. Then I got married and we had two children, and now that part of my life was over. I was never going to work for some bullshit low wage job again. I had basically chosen to be homeless, and I was trying it out.
I’ve found a lot of homeless people have similar thought processes. It’s a hard pitiless existence, and whatever pride we can find, we hold onto.
Those first days are kind of blur. Did I go to the fortune-teller that first day? was it later? I’m not sure. In the past, I had avoided them, even though I was fascinated by the idea of them. I figured they were mostly fake, expensive charlatans, and if some were real and I got one of those, I didn’t want to know what they would say. Now, it didn’t matter. Hitting bottom can really open your eyes.
I still had some cash on me, and I was pretty out of it, mentally. Going to a psychic when you don’t have a roof over your head is a poor financial decision. But desperate people do weird things.
I was wandering the streets as the sun sunk down, bathing the town in the sacred blue glow of twilight. There was a small house among the commercial buildings nestled back behind a small yard. There was a neon sign in the window. PSYCHIC. I’d never seen it before. Maybe it appeared from another dimension. Maybe you see things when you’re walking that you don’t notice when you’re driving. I felt compelled to go in. What did I expect? An old lady in a flannel shirt with big crystal rings? A man with long hair in a ponytail and a calm voice with cds of himself playing singing bowls for sale on the side?
She was small. Smaller than me, and I’m 5’4″ and thinner than tin foil. She had on a pale blue blouse. The kind that has a big neck with elastic so it can be worn at the shoulders. She had a patchwork skirt that showed her ankles when she walked. She had the scarf over her hair and the hoop earings, and olive skin. Now Gypsys are from where? They’re called Roma, which sounds like Rome or Romania. My money would be on Romania. Gypsy is short for Egyptian, but I think that’s like calling Native Americans Indians. Her eyes were mesmerizing. Were they big? I think so. That’s how I remember them, but my memory plays tricks on me.
“I am Olga.” she said as she answered the door. She gave me the once over, Cloak, slept outside last night, no shower, no shave, although I have a mustache and goatee, so that’s not as noticeable on me. People either stare or look away. She didn’t seem to think I looked out of sorts.
“How much?” I asked, ready to bolt if it was more than a ridiculously small price.
“Have a seat,” she said, and smiled at me for the first time. Maybe all is not lost, I thought. “Have a glass of wine with me.” she said.
“I don’t drink.” I said.
“This isn’t a regular glass of wine. It’s special.” She pulled out an unlabled bottle with a wicker wrapping around the bottom and two glasses. It was red. She didn’t pour an excessive amount. Well, I’m already homeless. I thought, and she smiled as if she had heard me.
“You are on the Path.” she said.

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The Silver Bough

Though she be small, she is mighty and fierce. Discount her fury at your peril for her purpose is just & her will is unbreakable.

Alive is a land which lurks in the mist

Afar is a font where the fairy folk fly

Many are the men who murmur, “It does not exist.”

For fear of the foe who flit by the eye

Some say the secret to seeing the fae

Is to speak what you seek at the end of the day

As the daylight dusk darkens & purples the sky

The stars start to sparkle & you solemnly say:

“Ethereal elves, spirits & sprites, pixies & brownies and fairies delight

Dryads & naiads, sirens & sylphs;

Tuatha de Danann, Come visit tonight!

 

A light hum emanated for the dew covered daisies and daffodils springing in the meadow

A glinting, gleaming gossamer flicker of flying, flashing feathery fluff

Was the only glimpse of the sundrenched lemon drop sprite

Spinning lazily in the early morning light.

 

As the slow, sultry summer sings sunny, slothful Saturday

The shadows sweep silently, stealthily, sinkingly, towards sunset

The twinkling twilight tells its tale of the tail end of the day

And darkness descends.

🌄🌌

When dusk’s disc disappears, drowning in darkness

Shadow upon shadow shields the secrets seeking solace, silently safe from sight

Never knowing comfort Hardly hearing howling horrors

Hiding, biding, biting

crawling, calling, bawling

Through the night.

Falling fearful foul, freak fancies flying; filled with fiery fright.

Call the faeries all the fae, luminous and bright

glimmering with glamour

glittering and gossamer

and glowing with delight

Banishing the  banshee

Shining hope and joy

And life & love & light.

🌑

 

On that moonless dark night

Oh, how the nightmares come

In mists and in shrouds

With long curving fangs

And glistening malevolent eyes

Beating their bat wings

The gargoyles growling tails

Twitching they descended upon the babe, to feast upon his fear

The Fae, they were waiting

Ready with bows & blades

& pikes & spear to defend the boy child from the demonic host

In that babe’s room of smiling suns & plush bunnies, the battle ensued

Silver flashed in the dim light and arrows flew

Sharp teeth & claws, forked tails & gleaming eyes

The battle was fought and shone in the sleeping babe’s dreams

Shrouded in shadow, the muffled thumps and clash of blades frightened the child

As any haunting horror

The grand production featured the fae and the demon battle

The violence fed the fevered visions of the innocent.

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The Trail of Ghosts

The sorcorers had come for the dragons in the early days. Before Incarnate even. They came with their greed and their small minded prejudice. They judged dragons to be evil so they could point to an enemy to rally people against. Dragons were hunted and feared. They were nearly invincible, such was their power, longevity & wisdom. Their compassion was unmatched, yet man found a way to test its limits and go well beyond. The shortsighted cruelty, the unnecessary violence. The relentless pursuit of dragons to the ends of the earth, seeking their utter annihilation. All to justify their need for control.

Dragons were hard to kill. A dragon can withstand an entire army of humans in a straightforward battle. Which is probably why humans refused to engage in them. They claimed to be reasonable and compassionate; indeed, this was the definition of “humane”, but they did not behave that way. It was not in their nature at all.

Entire forests were burned to hunt them down. Their young, murdered in the shell. Starvation, dehydration, madness. Waged generation after generation. Until the few dragons left lived as ghosts, invisible, without leaving any tracks, no traces. Living in the most inhospitable climates, in the darkest secret places, almost resembling the monsters they were depicted as.

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Lost Cause

Although Yendor had been conscripted into the Armata Rebellis by force, he felt he had joined unofficially the day he met Danse. The memory of her hit him from within, a burst of pain in his chest. He could picture her; just her face: dimly lit, dirty, miserable. His fault. He didn’t even know how to go looking for her. He shook her out of his mind. Danse had taught him to fight, to engage his magical energy into the effort. The Armata had taught him battle. The brutality of it. He did not relish it, but understood its necessity. In order to defeat Incarnate’s Armata, it would take an Armata. These boys were trained, disciplined, and vicious. They would probably be crushed. But if he could get close to Incarnate, if the Armata could keep him focused on them, he might be able to get in a lucky shot; whatever that meant.

These thoughts meandered through his mind as he marched with the troops through thick, viscous fog. The men were superstitious about any natural element, whether it was in their favor or not. The fog, they mumbled was conjured by sorcerers, lurking nearby waiting to ambush the Rebellis. At times the fog was so thick Yendor could not see anyone else. He could hear them laughing disembodied nearby and then they would materialize, as if from another realm. The fog seemed to whisper with them, saying nothing in particular; just sowing fear. And then, with a sudden inhalation, it sucked itself away, into the shadows, leaving the men spooked.

They were descended upon without mercy. sorcerers and warriors, moving as one attacked from all sides. Their numbers were legion. Yendor had his sword out and cut with precision. A brute smelling of earth and shit hacked through the man on Yendor’s flank and came at him frothing at the mouth. He lofted his bloody axes at Yendor, the weapon still dripping with the blood and gristle of Dante, the man Yendor had shared breakfast with. Yendor’s fear turned to icy hatred and parried the axe with his thin blade, enchanted, glowing and with Yendor’s pain and anger surging through it. It cut the axe clean through, then took the eye, brain and life of Yendor’s attacker in one lethal thrust.

A sorcerer saw Yendor’s action and turned his attention to the wizard. The stink of the earth opened up under Yendor, and he fell, lurching to the side to escape the chasm. Before he could regain his footing, the sorcerer was on him with a mace. Incarnate’s favored weapon. The sorcerer wielded the spiked sphere with blinding speed and deadly accuracy. Yendor got his shield up barely in time, but it blocked the blow edgewise, so that the shield crushed under the blow and the mace rammed into Yendor’s left hand. Yendor didn’t feel any pain at first, and that is probably what saved him. He turned into the attack instead of away as his instincts told him, and kicked the looming sorcerer over his head. He leaped to his feet and faced the enemy. The mace began to glow with a heat summoned from pure evil. Another swing of that would be the end of him, Yendor knew. He thrust his sword without magic or thought straight at the necromancer’s heart. There was a hiss as black smoke emerged from the wound, staining the blade.

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#AlwaysChooseLove

the faerie TreeI am a scatterbrain. Maybe I have a condition: ADD or ADHD. I don’t know. I flit from subject to subject. Lately I have been concentrating on Faeries. I am in the process of writing and illustrating a children’s book about faeries. It will be written in part if not wholly in some form of verse. I could conceivably write it in verse and prose and claim the whole thing was “free verse” which in part took a prose like form. I’ve read some modern poetry which seems to me to be prose. Incidental reminiscing of mundane events, beautifully rendered and proffered as poetry in the latest poetry journals which I leave on the shelf unbought because I don’t identify with it. It doesn’t touch me or move me. So, whose going to identify with faerie poetry written in some archaic style that people don’t even read anymore? I will I guess.

I’ve eluded to my process before; it’s rather backwards. I’m sketching faeries, writing whimsical verse with a fountain pen in a beautifully bound sketchbook. I’m approaching my subject elliptically, sneaking up on it, as it were. My son has nightmares, so I’ve decided that I am going to have the faeries chase out the nightmares. That’s basically the plot as of now.faerie Knight

I’ve also discovered that the faeries wear armor and live kind of like gypsies; in fancy wagons and stuff. So, it’s slowly taking shape in the fog. The nightmares themselves may be creatures of the otherworld too. My hope is reading this book, children will go to bed, feeling they have the power to drive away nightmares. Psychologically, if one feels they need not fear nightmares, then that is precisely the case. It’s all very FDRian.

So, now I have to come up with the dark creatures, which shouldn’t be a problem, given the genre; there’s probably more scary creatures in the otherworld than friendly ones. I’ll probably have a child for the fae to protect, and maybe Danu herself will make an appearance. That’s why I started this post with the bit about being scatterbrained. I wanted to abandon the faeries and court the Goddess for a time; but in the space of a few paragraphs I see the two aren’t mutually exclusive. The Goddess by the way is Love. whether she is Danu, Devi, Gaia, Demeter or Isis. Or Jesus, or Krishna for that matter. Whatever name you worship: #alwayschooselove.wiccan-grail-001