What mysteries lurk beneath the surface, looking outward, unseen; waiting to be discovered? My work methods are unorthodox. Try as I might to sit down and devise a tale of my own making, I find it’s a bit like hunting. Not that I have ever hunted anything except cats with my childhood dog; Heidi. Nevertheless. One has to pick up the scent, track one’s quarry. I have to lay in wait, sniff the wind. It’s a merry dance, the hunt. I do research, I conceive a subject; in this case faeries. I devise a format: a picture book. I want it to be in verse, but not the verse of picture books. They’re all so much the same.
My research takes me to medieval poetry. I skip Victorian because that’s where everyone hunts for fairies. But I’m not looking for the story. I’m looking for the voice. I’m looking for something antiquated. Something to give a flavor of a treasure long-lost and discovered anew. In medieval verse, there was a taste for alliteration as much as if not more than rhyme. I find I’m not ready to unravel sonnets and the tricks of language that make poets from Shakespeare to Shelly thought great. Wordsworth’s genius eludes me. I find I like Taliesin.
To lure my prey I paint some of my subject. I write endless babble without any plot or destination in mind.
Then, back in the real world, my one year old is having nightmares. I feel this is my legacy. He has his mother’s eyes, and his father’s untamable imagination. Perhaps the faeries can be called upon to drive them away. I’m generally unconcerned with whether fairies are mischievous as conceived in the Christian era or minor nature gods as seen previous to that. To me all things are manifestations of the Source: Love. In fact, along the way as I fill my sketch book with non sequiturs and rubbish, I hit upon a new mantra: Always choose love. It becomes my hashtag. It is to be a guiding principle in all I do and create, so that when I am done here, I won’t have left only rubbish behind. Looking back on my work, one could argue that it has always been my mantra, just latent, undiscovered. So my faeries will be bringers of light.
I may be getting closer, but still the hunt goes on.
The sheriff went pale with shock. “You let Marian go and take me instead! If you can!”
“And who might you be?” yelled the sheriff.
“Why I’m Robin! Robin Hood of course!” and with that, Robin beat a retreat back the way he had come.
Join all your favorite characters and meet some new ones in this new retelling of the classic folktale.
News of the Shrove Tuesday carnival did not pass by the greenwood unnoticed; many of the wives took their children to church and Father Cedric was promoting this year’s festival with unusual fervor. The children especially wanted to attend. It seemed living in the woods had its attraction for children, but the prospect of sweets was hard to pass up. Holy days were considered a general amnesty for outlaws not wanted for heinous crimes. People would come from the entire shire and though the outlaws were many, they were a small percentage of the entire countryside. Tom was on the mend, and he and Robin were determined to take place in the festivities. “You could win the archery contest, hands down.” said Tom. Robin had been teaching the men of Sherwood Forest to shoot as well as make their own bows and arrows. He didn’t fancy trying to feed the whole forest. He had gained quite a reputation in the greenwood.
“Archers like me are common enough.” said Robin. “But I will be happy to give it a go.”
Most things needed by man can be made from nature, and the people of the greenwood had little need to venture into town, save one: it was their rightful home. There was a degree of shame that came with being an outlaw. That you were outcast. With the new found pride and comradery that the people of the greenwood felt, much of the shame they had felt, dissipated, and they began to venture into the neighboring towns. Tom wanted to go into town to obtain some cloth for his wife and children to have new clothes in time for the festival. He and Robin ventured into Nottingham one cold and windy February morning. In the marketplace, there were several weavers; some with stalls, others had shops. Robin preferred the stalls, but Tom liked the shops, and as it was cold, they lingered inside examining fabrics they would never buy.
The door opened with the wind forcing its way in ahead of the woman. The lanterns flickered a bit in the breeze. The new customer lowered her hood and shook her hair. She brushed it out of her face with a hand that had long, delicate fingers. Her cloak was deep blue, and her dress underneath was a blue so pale that it was almost white. Her auburn hair was somewhat windblown, stray hairs danced in the breeze. The effect was that of an intimacy; to be seen in an unguarded moment. Her face was flushed from the cold and the color in her cheeks resembled a nimbus. Her eyes were the blue of a cool pond reflecting the evening twilight. Robin heard music playing somewhere nearby. She met his gaze coolly and walked past him to the counter.
The proprietor was an elderly woman with her hair in a bun and a knit shawl around her shoulders. She beamed at Marian though she could barely make her out. Her vision had been waning for years and she relied mainly on instincts to substitute, and for her this worked quite well. “Good Morning, Marian!” the old lady said in a paper thin voice.
“Good Morning, Gladys.” Said Marian.
Robin had been transfixed by Marian from the moment she walked into the shop. The music he heard was heard by no one else. He heard birds singing too, though it was only February. Tom walked up to Robin and whispered, “Close your mouth before something flies into it. And don’t stare! Your worse than Henry.”
Robin Blushed and turned to Tom to retort, but the music stopped. Confused, Robin turned back to Marian, and sure enough the music started again. a fife and a lute, and birds.
“What brings you here today, dear one?” asked Gladys of Marian. The old woman looked like a shrunken apple come to life and had a rosy complexion that came through in her personality as well.
“I will have to cancel my order for the new fabric, Gladys.” said Marian.
“Whatever for?” said Gladys.
Marian bit her lip trying to decide how much to reveal to Gladys. “The money is needed for the festival.” she said. “The children need it more than me.”
“Posh!” said Gladys. “That fabric was made literally for you! It’s deep blue, like the night, just after the last of the light has gone. Why it’s your color, dear!”
“Gladys, I can’t.” said Marian.
“How much is it?” interrupted Robin.
“I will thank you to mind you own business!” The girl said. “This is a private conversation. Why, I don’t even know you!”
“Allow me to introduce Robin of Sherwood.” said Tom.
“And you are….?” asked Marian.
“This is Tom.” said Robin. He looked to Gladys as if for conformation. She continued to beam at them. Robin produced some coins from his purse at his belt. “Will this be enough?” he said. “And for the orphanage.” he said producing more.
Marian looked Robin up and down, taking in his ragged yeoman’s clothes that had spent the winter in the forest, and she looked at the money he was offering. “You’d best be careful with your purse, sir. There’s thieves about.”
“Is there?” asked Robin.
“Aye. They live in the forest.”
“We’ll keep an eye out Ma’am.” said Tom.
“Miss?” said Robin. “Miss what?”
“Miss me every time.” said Marian.
“We should be going.” said Tom, who thought it was a bit early for spring. He pulled Robin by his arm.
“Wait.” Robin said. “Here, Miss. Miss Marian. Take it. Give it all to the orphanage if you won’t take it for yourself.”
“Give it to them yourself, Sir” said Marian and turned back to Gladys.
“Let’s Go.” said Tom. “It’s a bit stuffy in here.”
“But…” protested Robin. Tom pulled him outside. “But she’s beautiful!” said Robin.
“Aye.” said Tom. “She’s trouble, that one.”
Back inside the shop, Gladys said, “Oh, he seems nice.”
“Gladys, your blind as a table leg. He was a vagabond.”
“Even a blind table leg knows it can’t hold the table up by itself.” said Gladys.
“Where should we go now?” asked Tom.
“Why, to the orphanage, where else?”
St Anne’s Orphanage was a series of wattle and daub buildings on the outskirts of the property of St. Mary’s Church. It was run by the monks and nuns who also maintained quarters elsewhere on the vast acreage of St Mary’s. St Mary’s had been around since before the Normans, and it was rather large for a church in the midlands. Whereas in neighboring Derbyshire there were churches in each village within the shire, St Mary’s was the main church for the county. To be sure, there were churches in each village in Nottingham, they looked to St Mary’s for festivals, holidays and large gatherings. The monks had elected Cedric to the position of Vicar since the death of the previous vicar nearly ten years past.
There was a boys dormitory on one side and a girls on the other. The office, school, and cafeteria were in the middle. The entrance to the grounds on the south side led to the office, and at the other end past the cafeteria was a garden. beyond that was a field for games. Beyond the field at the north end was the greenwood. Sherwood Forest proper was in the north of the county, but the primeval woods of which it was a part extended throughout the county (and indeed throughout the midlands). The greenwood was a term that referred to the whole area of wilderness.
The path leading to the office had a lawn on either side and was officially off limits to the children. Presently, two boys were running around on the lawn, chasing each other. The one being chased was taller, had a shock of red hair and was named John. The chaser was a runt. A little blond boy who made up in ferocity what he lacked in stature. His name was Eric. After some valiant zigging and zagging, there was an “oof!” followed by a thud and some rolling about. After a moment the boys got up, laughing and covered in the dead grass of winter. Eric looked up and stopped laughing and John looked up to see what had caused the suspension of antics and stopped laughing too. There were two specters of men standing there looking at them, older versions of themselves.
“Well don’t stop on our account.” said Robin. “We were just looking for the office.” The taller boy shook his head as if such information was not to be given out, while Eric pointed to the obvious building that the path the men were on led to. Johnny cuffed Eric on the shoulder and shot him a look. Eric cuffed Johnny back and it was back to rolling on the lawn.
Inside the office, there was a rotund young tonsured monk sitting at a desk, making every effort to fill in a ledger. At the sound of the two men coming in he endeavored to finish his entry lest he have to start again. When he looked up, he saw Robin and Tom waiting patiently, their hoods down and smiles on their faces. He returned the smile.
“What can I do for you fine gentlemen?” he asked.
“We would like to make a donation.” said Robin.
“We understand the orphanage is in need.” said Tom.
“A recent robbery.” said Robin.
At this the monk’s smile faded, which is not what you would expect from an offer of a donation. “There has been no robbery.” said the monk. “I didn’t get your good gentlemen’s names.”
“This is Robin, and my name is Tom. We didn’t mean any disrespect. If you don’t need the money, we’ll be on our way.”
“Maybe that would be for the best.” said the monk and returned to his ledger which, if you could read it, would say that any donation would be greatly appreciated.
“Wait.” said Robin. “Perhaps we got off on the wrong foot.”
The monk looked up and regarded the men for a moment. “Where did you hear we had been robbed?”
“A young lady. Miss Marian.” said Robin watching for and seeing recognition in the monk’s eyes.
“Shut that door.” said the monk. He himself locked the door behind him after checking that there was no one behind it. “Marian told you we had been robbed? How do know Marian? When did she tell you that?”
“We were in the dress shop…” started Tom. and the monks eyebrows went up.
“His wife needs a new dress. We were shopping for cloth” said Robin. “And in comes this vision.”
“Marian.” said Tom.
“At Gladys’.” said the monk.
“Right.” said Tom.
“And she says she has to cancel her order, because the orphanage needs it.” said Robin.
“Because we had been robbed?” asked the monk.
“No.” said Robin. “I offered to pay, and she said to be careful of robbers.”
“She was implying that WE are robbers, Robin. Can you blame her? Look at us.” said Tom.
“Why didn’t you say that before?” said Robin.
“I thought it was obvious.” said Tom.
“Because we have money? And look like this?” Robin was getting angry. There’s nothing like a time released insult to get to you.
“So you’re not robbers?” said the monk.
“How is it then, that you look like that, and yet have money to give away?”
“I didn’t get Your name?” said Robin.
“Tuck. Friar Tuck; at your service.” Tuck smiled. “So, you’re not robbers then?”
“You know, I wasn’t really there.” said Tom. “Let’s hear it again.”
“Tom! I was on an errand for your Maggie!”
“And I am grateful.” said Tom.
“This wouldn’t have anything to do with the sheriff’s taxes, would it? And certain Parishioners having a few extra coppers come Sundays lately? Would it?”
The two stopped and looked at Tuck with eyes that were impressed when they saw a bulls eye. There was a bit more checking that there was no one listening at the doors and then Tuck poured them all a glass of wine.
It was getting dark when the three men emerged from the office. Tuck had sent to the cafeteria for lunch. “Well, what’s to be done?” said Tuck. “We will just have to raise more money.”
“Or…” said Robin. There will have to be another robbery. This time on purpose.”
They came at him fast, weapons out. He ducked as he moved to pull out his sword, but he still hadn’t gotten used to how long it was, so it still wasn’t drawn by the time they were on him. There were two on his left, one on his right, and one in the middle. They were burly. They had armor, and that didn’t seem to slow them down. Yendor could smell them, rust and freshly sharpened steel, with sweat and bad breath. The sound of their chain mail was deafening. In another moment he would be dead.
Still crouched, he lunged at the small gap between the middle and the right. As he sprang from the crouch, Yendor pulled his dagger from his boot. He came in under the attack and locked his arm using the force of the lunge to propel his dagger, instinctively knowing there was more force in his two legs and combined weight than there was in a stabbing thrust. He aimed for the man on his right. Luck was with him, as he had got it under the mail shirt and the dagger sank deep into the abdomen. Yendor had successfully picked off the weak link of the attack.
Yendor spun to the remainder of the pack. They had crowded themselves when Yendor lunged and had been unable to slice him up. One or two would have succeeded. Briefly Yendor was reminded of a comic stage routine where three oafs bumbled around onstage. He had his sword out now, and had the alertness of one who had just escaped death. The soldier on Yendor’s left thrust the one next to him at Yendor. This one was the tallest. He came at Yendor in a berserker rage, quickly evaporating the advantage he had of superior reach. The soldier swung his blade like a hammer clearly meaning to crush Yendor who was thin and wore no armor. Yendor stepped aside at the last moment and as the man stumble into the space where Yendor wasn’t anymore, Yendor sliced his blade through the air and into the man’s backside.
Now there were only two. The leader who had shoved the last one at Yendor and he was the burliest one of the bunch. Naturally, the leader motioned for the big man to attack. This one was cautious. His weapon was a battle axe. The kind that had a space behind the sharp part of the blade. Yendor had thought that gap was to lighten a heavy weapon but now as he faced off he realized that a skilled warrior could use it to wrench his opponents weapon away. That can go both ways thought Yendor. As he attacked he aimed for where he thought that gap would be. He guessed right and skewered the axe instantly yanking back as if on a fishing line, pulling the axe free.
This caused the brute to lose his temper, abandon caution and come at Yendor with his fists; each one like a sledgehammer. Yendor began to swing his weapon between himself and his foe but moved too slowly, too late. One massive fist collided with the side of Yendor’s head, followed almost instantly with the other to his ribs. Yendor nearly dropped his blade as he fell to his knees. He focused on not losing it. His vision blurred and his body felt rubbery. He squeezed hard on the blade. It occurred to him that up until now he must have been moving with a kind of time defying quicksilver. His vision came into focus in time to see the giant smile as he raised his fists for the coup de grace. Yendor raised his sword with both hands in front of himself and became a conduit. Lightning leapt from the sky and struck Yendor’s sword. The energy flowed into Yendor and pulled him to his feet. Yendor felt as if he had become a passenger in his own body, and observed as he lopped the head off the enormous brute like fruit from a tree. He let the sword pull him in a circle as he continued to swing and came to rest facing the dumbfounded leader, who slack jawed turned to flee. Before that could happen, Yendor slid the sword into the man’s chest and pulled it out so quickly that his foe was still turning to run as he fell lifeless to the ground. Yendor had somehow tapped into the flow of the moment. He had learned to get out of his own way.