“Marina saw a brilliant light at the end of the vast expanse of clouds. The sun was breaking through the grey above. Great shining streaks of light poured through the sky. Marina felt the glorious warmth of the sunlight and melted back into a clear shining raindrop.
Marina and her friends basked in gleaming morning sunlight. She could see light pouring through her and her friends creating an arcing rainbow that stretched to the sparkling sea below.” from “Marina” The story of a baby raindrop. In this scene, Marina changes from identifying as a snowflake; unique and individual, to being part of a rainbow; a community whose whole is greater than the sum pf its parts.
The rainbow represents all colors, all faiths, all types. It is a symbol of unity.
Together, we can overcome obstacles we would not want to face on our own. It takes courage to defend the oppressed but we will br stronger for it. Cowards see something to fear in others, while the brave overcome their fear to find the common good. That’s why, in the long run, we will prevail, even if we face setbacks now. Because we are stronger together.
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When a man sets out to tell a tale, he wants to entertain with adventure, action and fun. He cares not of lofty goals or higher ends. Yet tales have a way of telling themselves; at least when they are told correctly. Unseen turns and hidden paths reveal themselves with each step. Shadows shift as our eyes adjust, and then there is a flash of light as confusing as the darkness before. In the end we may have told a different story than we set out to, but it is the one that wanted to be told. We care not, so long as there is adventure, action and fun.
The road was familiar even at night. The houses, the neighborhood, the shops and bars were all known. This was home. Wandering home from somewhere, he became lost. The streetlights cast a garish glow that did little to dispell the stark and encroaching shadows. Once again he was alone in the night in a strange place. The breeze chilled his skin as it stroked his face and moaned through the sycamores. Leaves rustled and unseen whispers could be heard. Without warning a horse seemed to bear down on him, rider unseen. It was too close, too sudden; he would be trampled by the mindless beast.
Rhyder sat bolt upright in bed. Another nightmare. His wife beside him, his son in his crib across the room. The feeling of fear and disorientation hung over him, but slowly faded. He drank the water from the table by the bed and drifted back to sleep. Moments later the baby, his son, woke screaming. Rhyder leapt up and picked up his son and held him to him. The crying was unconsolable. When at last he had calmed his boy and gotten him back to sleep, he found that sleep for himself was elusive. With a heavy heart he realised his son had inherited his nightmares.
I am a scatterbrain. Maybe I have a condition: ADD or ADHD. I don’t know. I flit from subject to subject. Lately I have been concentrating on Faeries. I am in the process of writing and illustrating a children’s book about faeries. It will be written in part if not wholly in some form of verse. I could conceivably write it in verse and prose and claim the whole thing was “free verse” which in part took a prose like form. I’ve read some modern poetry which seems to me to be prose. Incidental reminiscing of mundane events, beautifully rendered and proffered as poetry in the latest poetry journals which I leave on the shelf unbought because I don’t identify with it. It doesn’t touch me or move me. So, whose going to identify with faerie poetry written in some archaic style that people don’t even read anymore? I will I guess.
I’ve eluded to my process before; it’s rather backwards. I’m sketching faeries, writing whimsical verse with a fountain pen in a beautifully bound sketchbook. I’m approaching my subject elliptically, sneaking up on it, as it were. My son has nightmares, so I’ve decided that I am going to have the faeries chase out the nightmares. That’s basically the plot as of now.
I’ve also discovered that the faeries wear armor and live kind of like gypsies; in fancy wagons and stuff. So, it’s slowly taking shape in the fog. The nightmares themselves may be creatures of the otherworld too. My hope is reading this book, children will go to bed, feeling they have the power to drive away nightmares. Psychologically, if one feels they need not fear nightmares, then that is precisely the case. It’s all very FDRian.
So, now I have to come up with the dark creatures, which shouldn’t be a problem, given the genre; there’s probably more scary creatures in the otherworld than friendly ones. I’ll probably have a child for the fae to protect, and maybe Danu herself will make an appearance. That’s why I started this post with the bit about being scatterbrained. I wanted to abandon the faeries and court the Goddess for a time; but in the space of a few paragraphs I see the two aren’t mutually exclusive. The Goddess by the way is Love. whether she is Danu, Devi, Gaia, Demeter or Isis. Or Jesus, or Krishna for that matter. Whatever name you worship: #alwayschooselove.
I’ve been working on a new series of faerie sketches for a children’s book. Some are more finished than others. Most of them are in a little 5×7 sketchbook that my wife gave me as a gift, so the sketches are kind of small. These newer ones are being done with water soluble graphite, watercolor pencils and markers. They are helping me to flesh out the story. I’ve also been writing some poetry for the book, but again, more as sketches or ideas that may or may not end up in the book.
All I can really tell for sure is I probably won’t do the finished pieces in watercolor pencil and marker.
Marina was born on the night of a surging storm. The clouds hid the moon, but the sky was lit intermittently by blue crackling lightning. It was neither cold nor warm. The whole of the sky was filled with dark, thundering clouds, rolling in the wind. These things didn’t frighten the newborn Marina; she was a raindrop. The whole world was rain. For a time, the wind blew Marina in the clouds where she was born. In the diffused electric light of the lightning behind the clouds, she could see the other baby raindrops whirling around in the high winds of the sky, playing in the clouds.
Marina played in the clouds, too. Weightless and small, she flew around and around, whirling and dancing in the safety of the clouds. Sometimes the wind would slow down, and marina would fall, laughing gleefully almost to the bottom of the clouds, but then she would catch another gust of wind and go soaring back up into the clouds.
When the lightning lit up the clouds, you could see marina, clear, and round, and pure, spinning up into the highest part of the clouds, only to be lost in the millions of baby raindrops swirling in the sky.
Once the wind blew Marina above the clouds where the moon shown its cool, distant light over the surface of the clouds, stretching as far as the eye could see. The clouds glowed in the moonlight, and swirled and danced in the wind. Marina realized the clouds were made of tiny dancing baby raindrops, and that she made up a very small part of clouds. She never wanted to leave.
Marina danced among the clouds, and began to grow. Tiny bits of mist through which she danced became part of her. As morning came, marina began to fall beneath the clouds. The cool grey clouds began to blur. All around marina, there were millions of other raindrops all falling through the endless sky. She became friends with many of the raindrops around her. Some became part of her life.
The storm began to grow cold. The rain cascaded into a wind that was getting bitter from blowing for so long in the distance, lightning was shattering ice.
Marina’s heart was born. It solidified into crystal ice. Marina took shape as only marina ever would. She sprang out in six directions at once. All around her, rain was blossoming into snow.
Marina swirled, and danced, and floated and, fell. all with vigor new to her. For the first time she looked where she was. Marina sparkled in the diffused morning light in an endless sky of glittering snow.
Far above were the distant massive storm clouds of her birth. Far below she could see glittering blue. Marina wondered what future awaited her in the vast blue expanse.
Marina saw a brilliant light at the end of the vast expanse of clouds. The sun was breaking through the grey above. Great shining streaks of light poured through the sky. Marina felt the glorious warmth of the sunlight and melted back into a clear shining raindrop. Marina and her friends basked in gleaming morning sunlight. She could see light pouring through her and her friends creating an arcing rainbow that stretched to the sparkling sea below.
Marina and her friends wondered about the sea and what it held for them. Marina seemed to have an inner feeling that the sea was good, almost like a memory.
Quite unexpectedly, marina came upon the sea as she plummeted into the vast unknown; she realized that she had been here before. She became the sea. Once a drop of water enters the ocean it is no longer a drop of water but part of the greater whole. Marina felt her self lap on distant shores; she welcomed the rain that swelled the ocean. Marina had come home.
Far away, in the sky a tiny bit of mist becomes a swirling baby raindrop, dancing in the clouds.
What mysteries lurk beneath the surface, looking outward, unseen; waiting to be discovered? My work methods are unorthodox. Try as I might to sit down and devise a tale of my own making, I find it’s a bit like hunting. Not that I have ever hunted anything except cats with my childhood dog; Heidi. Nevertheless. One has to pick up the scent, track one’s quarry. I have to lay in wait, sniff the wind. It’s a merry dance, the hunt. I do research, I conceive a subject; in this case faeries. I devise a format: a picture book. I want it to be in verse, but not the verse of picture books. They’re all so much the same.
My research takes me to medieval poetry. I skip Victorian because that’s where everyone hunts for fairies. But I’m not looking for the story. I’m looking for the voice. I’m looking for something antiquated. Something to give a flavor of a treasure long-lost and discovered anew. In medieval verse, there was a taste for alliteration as much as if not more than rhyme. I find I’m not ready to unravel sonnets and the tricks of language that make poets from Shakespeare to Shelly thought great. Wordsworth’s genius eludes me. I find I like Taliesin.
To lure my prey I paint some of my subject. I write endless babble without any plot or destination in mind.
Then, back in the real world, my one year old is having nightmares. I feel this is my legacy. He has his mother’s eyes, and his father’s untamable imagination. Perhaps the faeries can be called upon to drive them away. I’m generally unconcerned with whether fairies are mischievous as conceived in the Christian era or minor nature gods as seen previous to that. To me all things are manifestations of the Source: Love. In fact, along the way as I fill my sketch book with non sequiturs and rubbish, I hit upon a new mantra: Always choose love. It becomes my hashtag. It is to be a guiding principle in all I do and create, so that when I am done here, I won’t have left only rubbish behind. Looking back on my work, one could argue that it has always been my mantra, just latent, undiscovered. So my faeries will be bringers of light.
I may be getting closer, but still the hunt goes on.