“Marina saw a brilliant light at the end of the vast expanse of clouds. The sun was breaking through the grey above. Great shining streaks of light poured through the sky. Marina felt the glorious warmth of the sunlight and melted back into a clear shining raindrop.
Marina and her friends basked in gleaming morning sunlight. She could see light pouring through her and her friends creating an arcing rainbow that stretched to the sparkling sea below.” from “Marina” The story of a baby raindrop. In this scene, Marina changes from identifying as a snowflake; unique and individual, to being part of a rainbow; a community whose whole is greater than the sum pf its parts.
The rainbow represents all colors, all faiths, all types. It is a symbol of unity.
Together, we can overcome obstacles we would not want to face on our own. It takes courage to defend the oppressed but we will br stronger for it. Cowards see something to fear in others, while the brave overcome their fear to find the common good. That’s why, in the long run, we will prevail, even if we face setbacks now. Because we are stronger together.
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When a man sets out to tell a tale, he wants to entertain with adventure, action and fun. He cares not of lofty goals or higher ends. Yet tales have a way of telling themselves; at least when they are told correctly. Unseen turns and hidden paths reveal themselves with each step. Shadows shift as our eyes adjust, and then there is a flash of light as confusing as the darkness before. In the end we may have told a different story than we set out to, but it is the one that wanted to be told. We care not, so long as there is adventure, action and fun.
The road was familiar even at night. The houses, the neighborhood, the shops and bars were all known. This was home. Wandering home from somewhere, he became lost. The streetlights cast a garish glow that did little to dispell the stark and encroaching shadows. Once again he was alone in the night in a strange place. The breeze chilled his skin as it stroked his face and moaned through the sycamores. Leaves rustled and unseen whispers could be heard. Without warning a horse seemed to bear down on him, rider unseen. It was too close, too sudden; he would be trampled by the mindless beast.
Rhyder sat bolt upright in bed. Another nightmare. His wife beside him, his son in his crib across the room. The feeling of fear and disorientation hung over him, but slowly faded. He drank the water from the table by the bed and drifted back to sleep. Moments later the baby, his son, woke screaming. Rhyder leapt up and picked up his son and held him to him. The crying was unconsolable. When at last he had calmed his boy and gotten him back to sleep, he found that sleep for himself was elusive. With a heavy heart he realised his son had inherited his nightmares.
What mysteries lurk beneath the surface, looking outward, unseen; waiting to be discovered? My work methods are unorthodox. Try as I might to sit down and devise a tale of my own making, I find it’s a bit like hunting. Not that I have ever hunted anything except cats with my childhood dog; Heidi. Nevertheless. One has to pick up the scent, track one’s quarry. I have to lay in wait, sniff the wind. It’s a merry dance, the hunt. I do research, I conceive a subject; in this case faeries. I devise a format: a picture book. I want it to be in verse, but not the verse of picture books. They’re all so much the same.
My research takes me to medieval poetry. I skip Victorian because that’s where everyone hunts for fairies. But I’m not looking for the story. I’m looking for the voice. I’m looking for something antiquated. Something to give a flavor of a treasure long-lost and discovered anew. In medieval verse, there was a taste for alliteration as much as if not more than rhyme. I find I’m not ready to unravel sonnets and the tricks of language that make poets from Shakespeare to Shelly thought great. Wordsworth’s genius eludes me. I find I like Taliesin.
To lure my prey I paint some of my subject. I write endless babble without any plot or destination in mind.
Then, back in the real world, my one year old is having nightmares. I feel this is my legacy. He has his mother’s eyes, and his father’s untamable imagination. Perhaps the faeries can be called upon to drive them away. I’m generally unconcerned with whether fairies are mischievous as conceived in the Christian era or minor nature gods as seen previous to that. To me all things are manifestations of the Source: Love. In fact, along the way as I fill my sketch book with non sequiturs and rubbish, I hit upon a new mantra: Always choose love. It becomes my hashtag. It is to be a guiding principle in all I do and create, so that when I am done here, I won’t have left only rubbish behind. Looking back on my work, one could argue that it has always been my mantra, just latent, undiscovered. So my faeries will be bringers of light.
I may be getting closer, but still the hunt goes on.
When William Brewer, the Sheriff of Nottingham, foreclosed on Robin’s house, due to failure to pay taxes, Robin thought his young life was over. Forced into the forest to live as an outlaw, Robin finds that he is not alone. Sherwood is filled with outlaws who share Robin’s same story. If Robin can unite these loners against a common foe, he will have an army. Is it really stealing, if you take back what is yours?
Back in town, Marian is unimpressed by outlaws. She and Tuck have an orphanage to run. But when the sheriff decides money meant for the orphans belongs to him, she finds she needs allies that play outside the rules.
And the archery contest. Don’t forget the archery contest.
Join all your favorite characters and meet some new ones in this new retelling of the classic folktale.