“Rolled in the midst of never-ceasing currents flowing without rest forever onward.” Rig Veda1,32,10.
Halloween is coming, and with it, Samhain, the ancient, pagan holiday from which it is derived. Samhain is the Celtics holiday which marks the coming of winter and the death of the deciduous plant life for the year. By extention, it also memorializes all the life that has past that year. This passing from the life of Spring and Summer to the death of Fall and Winter is where the idea of Ghosts and Otherworld creatures roaming our world comes from.
The Goddess of the ancient Celts is called Danu. You will be told that this Goddess is specific to the Irish Celts, but the river Danube which runs through Germany is named for her as well. There is another water Goddess even farther from Ireland named Danu. In India. While researching Danu, for a painting this Halloween I found mention of her, and the belief by some that they are the same Goddess. I found that the Indian version of Danu, which is in the Rig Veda, has been demonized just as the European one has. In India she is the mother of Vitra the dragon, who is defeated by indra. Finding out she’s a dragon only makes me like her even more. Here is an abstract painting of her, rendered in ink in honor of Inktober.
My latest sumi landscape is a combination of my recent sumi paintings with the “Kali Night” series. This was done on a handmade Indian watercolor paper. It has a softer look than previous paintings from either series; a kind of “after the storm” feel. I try to evoke human emotions with these paintings, but I leave it to you to infer what emotion you connect with. People would see Rothko’s brightly colored paintings and interpret them as being happy, and he hated that. He would refuse to sell a painting to someone who misunderstood his painting. I think of it as more of a conversation. I’m not dictating to a stenographer, I’m communicating with you.
I’ve been getting into a lot of musical biographies lately. It’s really inspiring to hear the creative journey of people like George Harrison and John Coltrane; their musical genius is wrapped up in spiritual expression. I identify with that quite a bit.
From the microscopic atom, with its orbiting electrons, to our planet rotating on its axis, which orbits the star we call the Sun, which also spins and orbits the galaxy, which itself rotates around its center, everything is spinning and swirling in a circular motion. It’s fascinating to me that electricity is generated this way as well. Is this why dervishes whirl? I think it is Probable, even though the method was developed in the thirteenth century by Rumi himself. (if Rumi had taken up Asian style calligraphy, he would have been Rumi the sumi sufi.)
This piece is part of a series and was done with acrylic, ink, and digital media. Buy the shirt here.
My past 2 endeavours have been at abstract paintings. I’m trying to get a more immediate spiritual impact with my viewers. Also, I feel like abstract paintings (if done successfully) have some kind of fine art legitimacy that my regular illustrative paintings may lack. I used to want to create “abstract representational” paintings. I haven’t tried that in a long time and at least the nightscape is an attempt to get back to that feel. they are both just in progress. so I’ll let you know how it goes.
The second painting has some subtractive elements, I haven’t been able to utilize in watercolors before thanks to a brush called a scrubber. It’s very liberating!